Publications

Book Chapter

• Choi, Jaehoon. "Max - Expansion From a Programming Paradigm to a Distributed Lab," The Routledge Handbook to Rethinking the History of Technology-based Music, edited by Jøran Rudi and Monty Adkins, Routledge, forthcoming 2024.

Conference

• Choi, Jaehoon. "Brushing Interface - DIY multi-touch interface for expressive gestural performance" in Proceedings of the International Conference on New Interfaces for Musical Expression, 2023.    [link]

Journal

Artist Statement

• Choi, Jaehoon. "Drifting: Integrating Embodied Practice and Making As a Compositional Process," Performance Philosophy 8 (1):ECHO #5, 2023.    [link]
• Choi, Jaehoon. "Brushing II," ECHO, a journal of music, thought and technology, Issue 3, 2022    [link]

Press

• "Tre Soldi - 4. Diversi approcci alla musica contemporanea tra astrazione e denuncia," Rai Radio 3, 2024    [link]
• "Brushing Improvisation – N°2 - 67. Biennale Musica - Micro-Music," Venezia News, 2023    [link]
• "Biennale Musica 2023: Highlights, the microscopic nature of sound," CLOT Magazine, 2023    [link]
• "Biennale Musica 2023," AllAboutJazz, 2023    [link]
• "Biennale Musica 2023: Micro-Music," La Biennale Di Venezia, 2023
• "Works from the 2022-23 Art & Code cohort," Rhizome, 2023    [link]
• "RPI Graduate Student Premiers New Work at Venice Biennale," Rensselaer Polytechnic Institute, 2023    [link]