Book Chapter

  • Choi, Jaehoon. "Max - Expansion From a Programming Paradigm to a Distributed Lab," The Routledge Handbook to Rethinking the History of Technology-based Music, edited by Jøran Rudi and Monty Adkins, Routledge, forthcoming 2024.


  • Choi, Jaehoon. "Brushing Interface - DIY multi-touch interface for expressive gestural performance" in Proceedings of the International Conference on New Interfaces for Musical Expression, 2023.    [link]


Artist Statement

  • Choi, Jaehoon. "Drifting: Integrating Embodied Practice and Making As a Compositional Process," Performance Philosophy 8 (1):ECHO #5, 2023.    [link]
  • Choi, Jaehoon. "Brushing II," ECHO, a journal of music, thought and technology, Issue 3, 2022    [link]


  • "Tre Soldi - 4. Diversi approcci alla musica contemporanea tra astrazione e denuncia," Rai Radio 3, 2024    [link]
  • "Brushing Improvisation – N°2 - 67. Biennale Musica - Micro-Music," Venezia News, 2023    [link]
  • "Biennale Musica 2023: Highlights, the microscopic nature of sound," CLOT Magazine, 2023    [link]
  • "Biennale Musica 2023," AllAboutJazz, 2023    [link]
  • "Biennale Musica 2023: Micro-Music," La Biennale Di Venezia, 2023
  • "Works from the 2022-23 Art & Code cohort," Rhizome, 2023    [link]
  • "RPI Graduate Student Premiers New Work at Venice Biennale," Rensselaer Polytechnic Institute, 2023    [link]